the reviews of people who have received advanced copies. The upsetting thing about this is that this often is the majority of the early reviews, A.K.A. Have you ever gone to the Goodreads page of a newly released own voices book and seen comments like: “The book was not for me.“ Or “DNF, could not connect with this story”. Umm, excuse you?Ī new movement has officially started: #OwnVoicesReviews. She was also told by a prominent subscription book box that they don’t know of any black Bookstagrammers. ![]() The publisher/publicity department did not.Īnna is another black Bookstagrammer encountering difficulties in receiving ARCs of books by people of colour from publishers. It’s a match made in heaven, right? The author thought so. Kingdom of Souls is a book by a black author inspired by West African mythology and requested by a West African BookTuber. Seji – the coiner of #OwnVoicesReviews – even created a (very impressive if I might add) music video to get the publisher of Kingdom of Souls by Rena Barron to take note of her ARC request. However, black book reviewers are struggling to be taken seriously by publishers in their requests for ARCs of the books they can relate to the most. The publisher’s job is to do whatever it takes to get the right book into the hands of the right readers. ![]() ![]() Wouldn’t it be great to have books about diverse characters written by diverse authors and promoted by diverse readers? Own voices books with own voices reviews. #OwnVoicesReviews takes that concept and expands it to address the way in which own voices books are marketed and publicised. Duyvis’s hunt for recommendations of kidlit about diverse characters written by diverse authors has led to discussions on the importance of books about marginalised communities written by those from marginalised communities. Own voices reviews stems from the #OwnVoices movement, a hashtag coined in 2015 by Corinne Duyvis.
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